我们决定组建一些子公司来扩大我们的创作资产。这让我们能够留住关键的创作人员,他们希望拥有单独的品牌、对他们作品的独立认可,而且在一定距离下工作更快乐、更高产。
Sonia Friedman Productions, our first partnership, resulted in a string of hits. As parentcompany, Ambassador Theatre Group provided an environment for this producer to flourish.We used a similar model with First Family Entertainment, a pantomime production company,and with Jamie Lloyd Productions to inject creative dynamism into Trafalgar Transformed.
Sonia Friedman Productions是我们的第一个合作伙伴关系,它产生了一系列重磅作品。作为母公司,大使剧院集团(Ambassador Theatre Group)为这家制作公司提供了蓬勃发展的环境。我们采用了类似的模式与第一家庭娱乐(First Family Entertainment,一家哑剧制作公司)和Jamie Lloyd Productions的合作,为Trafalgar Transformed注入创意活力。
We have been able to grow the business exponentially, largely thanks to investment fromprivate equity. There have always been preconceptions surrounding theatre as a stable growthopportunity but fortunately we found partners with the imagination to make that conceptualleap.
我们的业务之所以能够实现指数级增长,在很大程度上归因于私人股本的投资。人们始终先入为主地认为,剧院是稳定的增长机遇,但幸运的是,我们找到了合适的合作伙伴,他们拥有让这种概念实现飞跃的想象力。
【挺过失败 一家剧院集团的创业心路】相关文章:
★ 惠普吞下收购苦果
最新
2020-09-15
2020-09-15
2020-09-15
2020-09-15
2020-09-15
2020-09-15