在好莱坞世界还是白的男的还是直的_时事

在好莱坞世界还是白的男的还是直的

通过这份“不平等现象报告和其他的类似研究，关于电影工业的大量数据不断累积，成为了推动行业变革的力量。史密斯博士和马克·库埃蒂(Marc Choueiti)及卡瑟琳娜·皮珀(Katherine Pieper)同为核心调查者，参与了圣丹斯学院与“电影中的女人项目的另一项广为宣传、历时多年的研究，内容是关于女性导演所面临的危机，她还协助撰写了研究的早期报告。为了做这项“不平等现象研究，他们三位参与到一个团队中去，这个团队最后扩展为大约七八十人，其中大部分是大学在校生。周五，史密斯博士说，她的一位学生给了她启发，让她开始研究电影中的男女同性恋、双性恋和跨性别角色，这与多项研究的结果是相吻合的——美国年轻人倾向在政治与社会观点方面持有自由主义立场(出于隐私考虑，她没有透露这位学生的名字)。

As that outspoken student suggests, moviegoers are doing their activist part, as exemplifiedby Every Single Word, a Tumblr by Dylan Marron that uses videos to underline the (often few)words spoken by nonwhite movie characters. What Every Single Word underscores is that theroles often available to nonwhite performers — think of the ubiquitous black friend, the Latinawaitress and the Asian storekeeper — are often little more than casting tokenism. The pointisn’t that the mainstream studios are deliberately racist or sexist. As Mr. Marron said in aninterview last month in The Washington Post: “I’m not saying that any of these films areracist. I’m not saying that any of these filmmakers are racist. I’m saying that the system thatthey’re contributing has some deeply racist practices.