这些影片中有7部没有主要的黑人女性角色。有7个角色虐待女人。
I shared these numbers with Dr. Todd Boyd, the author and professor of critical studies at the University of Southern California School of Cinematic Arts. He wasn’t impressed, but he also said the focus on the Oscars was misplaced. “The Oscars are a symptom,” he said, and not the illness itself.
我把这些发现分享给南加州大学(University of Southern California)电影艺术学院(School of Cinematic Arts)的批评研究教授兼作家托德·博伊德博士(Todd Boyd)。他没有感到震惊,不过他也说把焦点放到奥斯卡身上不合适。他说:“奥斯卡只是症状”,不是疾病本身。
The academy president, Cheryl Boone Isaacs, in announcing changes intended to address #OscarsSoWhite, cited the film industry’s failure to produce movies with diverse casts, and Dr. Boyd made a similar point: “You have to backtrack and look at the kinds of movies that African-Americans have been cast in.”
电影艺术和科学学会主席谢丽尔·博恩·伊萨克(Cheryl Boone Isaacs)在宣布针对#OscarsSoWhite做出的改变时,提到电影业没有制作选角多样的电影是根本原因。博伊德也表达了类似的观点:“你必须回溯和研究非裔美国人演的那种电影。”
And what kind is that?
哪种电影呢?
These 28 films are full of enormous characters, men and women of world-historic or pop-cultural significance, people who face seemingly intolerable oppression with nigh-unimaginable resolve, characters who are victimized or who encounter and occasionally inflict cruelty.
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