The four Chinese items, by composers little known in the West, and the six numbers from “TheSeasons (out of 12 in all, one for each month) were character pieces, designed to set scenesand moods (“Autumn Moon Over a Calm Lake). Excellent playing and even some poetry camethrough in the quieter music. But the merciless pummeling in Tchaikovsky’s “Reaper’s Songand “The Hunt, and in the Chopin, pretty much obliterated everything around it.
四首中国曲目(其作者在西方少为人知)和来自《四季》套曲的六首曲目(共有12首,每月一首)都是性格小品,旨在阐释背景、烘托氛围(《平湖秋月》)。弹奏较为安静的乐曲时,他弹得非常好,甚至可以让人感受到诗意。但在弹奏柴可夫斯基的《刈者之歌》(Reaper’s Song)和《狩猎之歌》(The Hunt)以及肖邦的作品时,他让人记住的只剩下对琴键的猛烈敲击。
Mr. Lang declined an encore at first, instead introducing Derek Wang, a young protégédeveloped through the Lang Lang International Music Foundation. Mr. Wang said he would playtwo Chopin études but was hustled off after one.
朗朗起初拒绝了对返场曲的请求,而是介绍郎朗国际音乐基金会培养的年轻音乐家汪振波(Derek Wang)出场。汪振波说他要弹奏两首肖邦练习曲,但一首过后就被催促着下了台。
He gave an attractive, shapely account of the “Revolutionary Étude. He actually seemed tojudge the amplification better than Mr. Lang had, though he may also simply have lacked someof Mr. Lang’s power.
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