THE HAGUE, Netherlands — The painting was sliceddown the middle in the 19th century, probably to besold as two Rembrandt portraits. At some point inthe next 40 years, it was sutured back together withpieces of an entirely different canvas, and layeredwith paint to cover up its scars.
荷兰海牙——19世纪的时候,有人将这幅画从中间一分为二,其目的可能是把它当成两幅独立的肖像画出售。后来的40年时间里,又有人利用若干块完全不同的画布把分开的两部分严丝合缝地拼了起来,还涂上了颜料,用以遮盖疤痕。
In 1898, the director of the Mauritshuis RoyalPicture Gallery here proudly displayed it in the museum as “Saul and David, one of Rembrandt'smost important biblical works. Then, in 1969, a noted Rembrandt authority discredited thepainting, and for years it hung next to a label that read “Rembrandt and/or Studio, a seriousdemotion.
1898年,海牙莫瑞泰斯皇家美术馆(Mauritshuis Royal Picture Gallery)馆长在馆内骄傲地展示了这幅名为《扫罗与大卫》(Saul and David)的画作,它是伦勃朗(Rembrandt)以圣经故事为题材的作品中极为重要的一件。到了1969年,此画遭到一位伦勃朗研究权威的质疑,之后的很多年里,在它旁边的标签上一直能看到“伦勃朗和/或仿作(Rembrandt and/or Studio)几个字,这意味它身价大跌。
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