As Odile, Ms. Copeland follows in the misguided Russian tradition of tucking her head down andrepeatedly looking hard at the audience under her brows (as if at the mirror) to let us know sheis a scheming villainess. The result makes her look unclassical and makes Siegfried, by falling forher, look even more of a ninny than usual.
科普兰饰演奥杰莉亚时,遵循被误导的俄罗斯传统,把头压低,不时抬起双目紧盯观众(就像在看镜中的自己),以表现出自己是个诡计多端的坏女人。这让她看起来不太优美,让受骗的齐格弗里德看起来比平常更傻。
The only obvious technical feature in which Ms. Copeland can improve is the notorious — andoverrated — fouetté turns. She did the first half of the usual quota, though wandering acrossthe stage; then she did a series of quick single turns — a smart alternative since they hadmore musical dynamics than most accounts of the fouettés.
科普兰唯一能够明显改进的技术特点是著名的——声誉过高的——单足趾尖旋转。她先是转了通常转数的一半——不是原地旋转,而是横跨舞台旋转——然后她做了一系列快速单转。这个改变很聪明,因为与大部分单足趾尖旋转相比,快速单转更具音乐活力。
Still, it’s the flashes of bravery in Ms. Copeland’s dancing, especially as Odette, that begin toillumine this ballet. As yet they’re only intermittent; but since they’re part of Ms. Copeland’sstory as well as Odette’s, they’re more than welcome.
【非裔女舞者大都会主演《天鹅湖》】相关文章:
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