Céline很可能推出亮青绿色与柔柔的暗粉红色两种款式的奔放型克龙比茧形服装(售价2160英镑),但酷似男友板型的服装显得阳刚气十足(假设你男友有美式橄榄球运动员那样的块头)。菲利普·林推出的人字形暗色调服装(拉链为非对称式)也是如此(售价934英镑)。林说:“女士穿男版服装,既能护体、又有气势——对于希望成为新黑色电影中女主人公形象的女士来说,是再合适不过了。侯赛因·卡拉扬(Hussein Chalayan)设计的每个系列中总有一款超大号外套,他喜欢阴阳气质均备的服装,他说:“我觉得女士穿肥款外套,既显得英姿飒爽,又能长期穿……我喜欢女士白天略显阳刚气,晚上则是娇媚十足。这种男性化的服装给人以超酷的感觉,若是穿上颜色得体的外套,与剑桥公爵夫人(Duchess of Cambridge,即英国凯特王妃)公开场合所穿的既合身又炫目的服装相比,一点都不逊色,也与她的帽子绝配。
But scaled-up cover-ups can also look ladylike. At Jil Sander, Simons struck the right note of femininity without fussiness on full swing and A-line coats with wide sleeves and dropped shoulders. In shades of sugared-almond pink, tan, scarlet and navy, they demonstrated the elegant simplicity of volume and harked back to the 1950s and 1960s. Loose, kimono-like opera coats, such as those by Paul Poiret, were popular in the 1910s but the oversized coat is most associated with the 1980s. Then, volume suggested testosterone-charged power as Claude Montana and Thierry Mugler offered coats with exaggerated proportions.
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