中国古典小说是改编电影挖不完的宝藏。尽管该片主题源自《西游记》,但影片的制作却颇有好莱坞风范。
Pancake Man and Goodbye, Mr. Loser are the twin winners with Internet genetics. The screwball comedies feature newcomers who are more plugged into the sensibilities of the millennials than the practices of the film community.
《煎饼侠》和《夏洛特烦恼》的成功得益于它们的互联网基因。这两部无厘头喜剧采用的都是新面孔。与老一辈电影人相比,这些人更懂千禧一代的口味。
Their boffo success (1.16 billion and 1.44 billion yuan respectively) marks the emergence of the new filmmaker generation, who may hail from anywhere but the film academy.
这两部片子的风行(分别拿下11.6亿元和11.4亿元的票房)意味着新一代电影制作人的出现——他们可能来自任何领域,但绝非科班出身。
Lost inThailand, at 1.62 billion yuan, was about the only franchise movie that climbed over the billion-yuan bench. That, of course, is not counting Mojin: The Lost Legend, directed by Wuershan, which is hot in release and has just exceeded the billion-yuan benchmark by the time this article goes to print.
《泰囧》票房16.2亿,几乎是唯一一部拿下“十亿”级票房的系列电影。当然,这不包括由乌尔善执导的《鬼吹灯之寻龙诀》。这部电影刚一推出就广受欢迎,到本文付印时票房已超过十亿大关。
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2020-09-15
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