在我们完工时,起居室和就餐区位于同一个开放空间中,占到了整套公寓的三分之二,其余的空间则留给了三间卧室。起居室的 壁铺有原先留下的雕工精美的橡木板,它们与你在某座城堡中看到的一样,房子的四面只有四扇七英尺(约合二米)高的窗户。从房中可以看到远处的埃菲尔铁塔(Eiffel Tower)以及我与理查德·罗杰斯(Richard Rogers)和吉安弗朗哥·弗兰西尼(Gianfranco Franchini)在1977年共同设计的蓬皮杜中心(Centre Georges Pompidou)。我非常喜欢看着它,因为它会提醒我去冒险尝试创新。
In Genoa, I'm fully exposed to nature, but in Paris I retreat to a cocoon from the 1600s. In both cases, they are spacious sanctuaries─detached and high above the noise. But in Paris, there is a feeling of belonging. When I look out at the other buildings ringing the square, they all have the exact same design and give me a feeling of community and anonymity.
在热那亚,我完全敞露在自然环境之中,但在巴黎我却退避在一个建于1600年代的封闭的住宅中。这两处房子都算得上宽敞的避世之所,独立且远离喧嚣。但是在巴黎,我有一种归属感,当我向窗外眺望环绕广场的其他楼房时,看到它们都具有同样的设计,带给我一种共同感和隐匿感。
The furnishings we have in our Paris apartment are the same as in Genoa─the same table, chairs, light fixtures and an Eames lounge chair. This isn't because I'm lacking in fantasy. I just enjoy a home's space and how it makes me feel. Everything else is functional and matters less.
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