我们也花了很多时间来欣赏我们的艺术藏品,其中包括瑞秋·佩利·威尔蒂(Rachel Perry Welty)的摄影作品、马克·迪·苏维洛的一座小雕塑以及艾尔·安纳祖(El Anatsui)的多媒体艺术品。艺术品不会让人烦恼,我们宁愿间接从我们的藏品汲取灵感,而不是受到书本上其他建筑作品的直接激发。
At our penthouse, we have friends over for dinner. Tod prefers this space because he feels freer there. I like our duplex because I often read three books at a time and want them around. For me, the biggest irony about the duplex is that I'm comfortable in a building and apartment that are period pieces─even though I'm a modernist architect. Apartment buildings from the period were made to accommodate lives─which doesn't seem to be the goal of residential architecture these days.
我们会邀请一些朋友到我们的顶层公寓吃晚饭。托德更喜欢这个地方,因为他觉得在这儿更自由。我则喜欢那套复式公寓,因为我常常一次读三本书,希望这些书就在身旁。在我看来,关于这套复式公寓的最大的讽刺是我住在过去某一时代的大楼和公寓内却觉得很舒适──但我却是一个现代派的建筑师。过去的公寓楼都是为提供住处而建,这似乎不是当今的居住性建筑的目的。
Even though our two apartments are just eight blocks apart, Tod and I always feel like we're traveling between two exciting spaces. It's exhilarating.
【建筑师如何打造自己的家】相关文章:
最新
2020-09-15
2020-09-15
2020-09-15
2020-09-15
2020-09-15
2020-09-15