我们为巴黎公寓配备的家具与热那亚的相同,同样的桌子、椅子、灯具以及一张伊姆斯躺椅。这并不是因为我缺乏想象力,我只是享受房子的空间以及它带给我的感觉,其余的东西都是功能性的,并不那么重要。
So you see, my houses are quite different. But the living spaces in both share the same logic: to be open and tolerant. At home, your things shouldn't be formal or precise. They should fill the house with color and evolve organically the longer you live there, defining who you are, like the lines on a face. Things should never replace how space makes you feel.
所以,你能看到我的两处房子是迥异不同的。不过,其中的生活空间都体现了同样的思想──开放与包容。在家的话,你的东西就不应该那么正式或刻板,它们应当让房子充满了色彩,你在那儿住的时间越长,它就会越有机地发展,就像脸上的线条一样定义你这个人。物品绝不应该取代空间给你带来的感觉。
─As told to Marc Myers
-- Marc Myers根据伦佐·皮亚诺的口述整理成文。
Daniel Libeskind
丹尼尔·里伯斯金(Daniel Libeskind)
Shortly after he won the competition to redesign the Ground Zero site in 2003, Daniel Libeskind's wife called the architect while he was lecturing in Toronto. She'd found an apartment for sale in a 1907 building in TriBeCa. 'Absolutely,' he recalls telling her, as soon as he'd interrogated her about the natural light and learned that the apartment, which occupies the entire seventh floor, offered panoramic views of Manhattan. Here, the 66-year-old architect talks about the one-year renovation─the first time he had the chance to design his own residence.
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